A & A spacer courtauld institute of art
login
quick search advanced search browse temp folder

Comb (peigne double) (Side 1)

Comb (peigne double) (Side 1)
enlarge image zoom image

Side 1

Side 2

Side 2

Subject
Secular. Courtly love.

Repository Institution
www.vam.ac.uk

To purchase an image
www.vandaimages.com


London, Victoria and Albert Museum

151-1879

Ivory

Height: 132 mm
Width: 168 mm

Side 1
Group of men and group of women on either side of a fountain; ladies holding hands; fountain decorated with animal heads; youth holding a stem of flowers or branch; flowers.
Side 2
Courting couples; couple holding hands; standing queen handing banners to two kneeling knights in armour; couple embracing; trees.

Longhurst 1929: Italy (North), end of the 14th century or beginning of the 15th century.
Williamson and Davies 2014: Italy (probably Venice or environs), c. 1400.


Attribution
Unknown

Polychromy - Gilding
Traces of polychromy: green (water) and red.

Reverse
Carved on both sides. Ink inscription on side 1: '1034'.

Object Condition
Missing: one larger tooth, replaced. Several small holes.

Provenance
Collection of John Charles Robinson (b.1824, d.1913): purchased by the museum from him in 1879.

Bibliography
List of Objects in the Art Division, South Kensington Museum acquired in the Year 1879 (London, 1880), p. 14.
G. Semper, Zeitschrift des Ferdinandeums für Tirol und Vorarlberg, III, vol. 40 (1896), no. 5, p. 176.
M. Longhurst, Catalogue of Carvings in Ivory, Victoria and Albert Museum, 2 vols (London, 1927 and 1929), II (1929), p. 68, pl. LVI.
R. H. Randall, Masterpieces of Ivory from the Walters Art Gallery (London, 1985), p. 232.
M. Gibson, The Liverpool Ivories: late antique and medieval ivory and bone carving in Liverpool Museum and the Walker Art Gallery (London, 1994), p. 100.
Images in Ivory. Precious Objects of the Gothic Age, ed. by Peter Barnet, exhibition catalogue, Detroit, The Detroit Institute of Arts, and Baltimore, The Walters Art Gallery, 1997, p. 260.
J. Warren, Medieval and Renaissance Sculpture in the Ashmolean Museum, 3 vols (Oxford, 2014), Vol. 2: Sculptures in Stone, Clay, Ivory, Bone and Wood, p. 524, in relation to no. 151.
P. Williamson and G. Davies, Medieval Ivory Carvings 1200-1550 (London, 2014), no. 213.


Image

© Victoria and Albert Museum, London.

All images on this website are made available exclusively for scholarly and educational purposes and may not be used commercially.

spacer
spacer spacer spacer spacer
Please remember to acknowledge any use of the site in publications and lectures as: 'Gothic Ivories Project at The Courtauld Institute of Art, London, www.gothicivories.courtauld.ac.uk', followed by the date you accessed the site.