Bertaux 1912: France, end of the 13th century.
Koechlin 1924: France, 3rd quarter of the 14th century.
Gaborit-Chopin 2003 and Museum's opinion 2010: Paris, c. 1320-1340.
Attribution
Atelier of the Cracow casket (Gaborit-Chopin 2003)
Hinges
Two hinges.
Polychromy - Gilding
Traces of polychromy (modern).
Reverse
Labelled: '1686', '66' [or 'çç'], '118 / trate / Saate / etoit', '36'.
Object Condition
Ivory cracked, with open cracks. Chip on the hand of Christ in the Last Supper scene. Repairs around the hinges, especially in the right wing, from the middle to lower part of the wing.
Provenance
Collection of Michel Boy, Paris: his sale, Galerie Georges Petit, Paris, 13-14 May 1905, lot 264. Collection of Édouard Chappey: sale, Paris, Galerie Georges Petit , 5-7 June 1907, lot 1686
Bibliography
Exposition Universelle de 1900, Catalogue illustré Officiel de l'Exposition Rétrospective de l'Art Français (Paris, 1900), no. 136 (ill.).
T. Destève, 'La Collection de M. Claudius Côte', in Les Arts, 1908, pp. 23-24, fig. 10.
E. Bertaux, Quelques pièces de la collection Claudius Côte (Lyon, 1912), plate XV.
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, p. 295; II, no. 818.
Vingt ans d'acquisitions au musée du Louvre, 1947-1967, exhibition catalogue, Paris, Musée de l'Orangerie, 1967-1968, no. 267.
R. H. Randall, Masterpieces of Ivory from the Walters Art Gallery (New York, 1985), no. 299 (cited).
D. Gaborit-Chopin, Ivoires médiévaux, Ve-XVe siècle (Paris: Musée du Louvre, 2003), no. 161.
All images on this website are made available exclusively for scholarly and educational purposes and may not be used commercially.