Koechlin 1924: France, 2nd half of the 14th century.
Longhurst 1929: French, 2nd half of the 14th century.
Williamson and Davies 2014: Possibly Upper Rhenish, 1st quarter of the 14th century.
Attribution
Unknown
Hinges
Two ring hinges on either side.
Polychromy - Gilding
Traces of polychromy: green staining remains (lining of garments; candles; spandrels).
Reverse
Flat and smooth.
Object Condition
Missing: three pinnacles, upper part of Stephaton's stick and sponge.
Several colonnettes are broken.
Crosshatching and holes on the underside to secure to a pedestal.
Deep cracks.
According to Koechlin (1924), the upper part of the triptych seems to have been recarved and was certainly originally gabled.
Provenance
Collection of George Salting, London: bequeathed to the Museum in 1910.
Bibliography
R. Koechlin, 'Quelques ateliers d'ivoiriers français aux XIII et XIVe siècles. I. L'atelier du diptyque du trésor de Soissons', in Gazette des Beaux-Arts, 34 (1905), p. 468.
'Salting Bequest (A. 70 to A. 1029-1910)/Murray Bequest (A. 1030 to A. 1096-1910)', in List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture) (London, 1910), p. 92.
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, pp. 135-137; II, no. 197.
M. Longhurst, Catalogue of Carvings in Ivory, Victoria and Albert Museum, 2 vols (London, 1927 and 1929), II (1929), p. 15, pl. IX.
P. Williamson and G. Davies, Medieval Ivory Carvings 1200-1550 (London, 2014), no. 54.
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