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        |   Front, pendant
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        |   Bead 1, side 2
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        |   Bead 1, side 2, detail
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        |   Bead 1, side 1
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        |   Bead 2, side 1
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        |   Bead 2, side 2
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        |   Bead 3, side 1
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        |   Bead 3, side 2
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        |   Bead 4, side 1
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        |   Bead 4, side 2
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        |   Bead 5, side 1
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        |   Bead 5, side 2
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        |   Bead 6, side 1
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        |   Bead 6, side 2
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        |   Side 2
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        |   Side 1
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			SubjectSecular. Memento Mori.
 
			  Repository Institution
www.metmuseum.org
 
                        To purchase an image
www.metmuseum.org
 
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			 New York, Metropolitan Museum of Art 17.190.306  
                      
		      
                      
		      
                      
		      
                      
                      
		      
			 Ivory;silver;partially gilded mounts Height: 627mmWidth: 54mm
 Depth: 45mm (overall); Top Terminal
  
                      
		      
			 Primary beads with parted faces Parted faces: face of tonsured priest or monk; face of bearded tonsured cleric; skull; vermin; worms (Death).
 Smaller beads with 2 faces
 Busts of men and women in profile, contemporary costume. Skeleton in bust; scroll with engraved inscription 'COGITA MORI' ('Think to die'). Skeleton in bust; scroll with engraved inscription 'SV QVOT ERIS' (i.e. 'SVM QVOD ERIS', 'I am what you will be').
 Foliated decoration.
  
                      
		      
			   Ann Arbor 1975: Germany, early 16th century.Museum's opinion 2012: Germany, c. 1500-1525.
 
 
		      
		      
			
			  AttributionUnknown
 
			  ReverseCarved in the round.
 
			  Object ConditionMissing: beads.
 
			  ProvenanceCollection of J. Pierpont Morgan (d. 1913), New York and London; estate of J. Pierpont Morgan (1913-1917); gift of J. Pierpont Morgan, 1917.
 
			  BibliographyImages of Love and Death in Renaissance and Late Medieval Art, exhibition catalogue, ed. by W. R. Levin, Ann Arbor, University of Michigan, November 1975-January 1976, no. 83, pl. LXIII.
 R. H. Randall, Masterpieces of Ivory from the Walters Art Gallery (New York, 1985), p. 248 (in relation to no. 368).
 P. Williamson, 'Medieval Ivory Carvings in the Wernher Collection', in Apollo (May 2002), pp. 17-22 (p. 21, fig. 17).
 P. Williamson and G. Davies, Medieval Ivory Carvings 1200-1550 (London, 2014), p. 474, fig. 1, in relation to no. 164.
 
 
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			Image © The Metropolitan Museum of Art. Photograph by Thomas Vinton, Medieval Art and The Cloisters.
		        
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