Seated Virgin and Child; Christ walking in the Virgin's lap; Christ in long robe; Christ holding a bird with both hands; crown; belt.
Koechlin 1924: France, late 13th-early 14th century.
Longhurst 1929 and Paris 1950: France, late 13th-early 14th century.
Gaborit-Chopin 1978: Paris, c. 1270.
Williamson and Davies 2014: France (Paris), c. 1280-1300.
Attribution
Unknown
Polychromy - Gilding
Traces of gilding and polychromy: gold (hair and lines along the collars; pattern along the hems; belt; bird's feet; throne), green (belt; throne), blue (lining of the Virgin's cloak), red (lips; lining of Christ's robe; bird's wings and neck; throne).
Reverse
Carved in the round.
Object Condition
Missing: part of the base.
Numerous cracks on the back.
19th-century wedge at the bottom of the piece, probably replacing an original similar piece.
Provenance
Sommeson collection, Paris: Sommeson sale, Paris, 25 January 1848, lot 123; Rattier collection, Paris: bought by John Webb (b. 1799, d. 1880), London, at the Rattier sale, Paris, 21-24 March 1859, lot 192; purchased from him by the Museum in 1867.
Bibliography
Catalogue of the Special Exhibition of Works of Art of the Mediaeval, Renaissance, and more recent periods on loan at the South Kensington Museum, June 1862..., revised edition, exhibition catalogue (London, 1863), no. 101.
Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged according to the dates of their acquisition (London, 1868), I, p. 12.
W. Maskell, Ivories Ancient and Mediaeval in the South Kensington Museum (London, 1872), no. 200-1967.
A. Maskell, Ivories (Connoisseurs Library), (London, 1905), pl. LVI.
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, p. 103; II, no. 86; III, pl. XXVIII.
M. Longhurst, Catalogue of Carvings in Ivory, Victoria and Albert Museum, 2 vols (London, 1927 and 1929), II (1929), pp. 29-30, pl. XXVIII.
La Vierge dans l'art français, exhibition catalogue, Paris, Petit Palais, 1950, no. 242.
R. H. Randall, 'A Monumental Ivory', in Gatherings in Honour of Dorothy Miner, ed. by U.E. McCracken, L.M.C. Randall and R.H. Randall, Jr (Baltimore, 1974), pp. 282-300 (pp. 291ff.).
D. Gaborit-Chopin, Ivoires du Moyen Age (Freiburg, 1978), p. 139, 205, fig. 204.
C. Little, 'Ivoires et art gothique', in Revue de l'art, 46 (1979), pp. 58-67 (p. 63).
Les Fastes du Gothique: le siècle de Charles V, ed. by F. Baron, exhibition catalogue, Paris, Grand Palais, 1981, no. 130, p. 176 (N. Stratford).
Images in Ivory. Precious Objects of the Gothic Age, ed. by Peter Barnet, exhibition catalogue, Detroit, The Detroit Institute of Arts, and Baltimore, The Walters Art Gallery, 1997, no. 18, pp. 148-149 (P. Williamson).
L'art au temps des rois maudits: Philippe le Bel et ses fils (1285-1328), exhibition catalogue, Paris, Grand Palais, 1998, no. 86 (D. Gaborit-Chopin).
A. Cascio and J. Levy, 'Les ivoires peints. La polychromie des statuettes d'ivoire' (introd. by D. Gaborit-Chopin), in Coré 5 (1998), pp. 5-20 (pp. 9, 12, 16-17, 128).
D. Gaborit-Chopin, 'La Fuite en Égypte du Museo del Duomo de Savona et l'orfèvrerie gothique française', in Tessuti, oreficerie, miniature in Liguria: XIII-XV Secolo, ed. by Calderoni Masetti, A. Roan, C. Di Fabio and M. Marcenaro (Bordighera, 1999), pp. 88-98, fig. 16.
P. Williamson and G. Davies, Medieval Ivory Carvings 1200-1550 (London, 2014), no. 3.
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