A & A spacer courtauld institute of art
login
quick search advanced search browse temp folder

Statuette with carved base

Statuette with carved base
enlarge image zoom image

Side 2


Side 1

Subject
Secular. Memento mori. Vicissitudes of married life.

Repository Institution
www.smb.spk-berlin.de

To purchase an image
bpkgate.picturemaxx.com


Berlin, Skulpturensammlung und Museum für Byzantinische Kunst

Inv. 8554

Ivory

Height: 276mm (total)
Width: 82mm (base)

Side 1
Naked female figure.
Base: wild unchained animal (lion?); dancing jester holding a bauble; collared and chained monkey eating a fruit from a basket; fruit trees.
Side 2
Skeleton (Death); vermin; worms.
Base: collared dog; youth unsheathing his sword (Hercules?); monster.
Woven fence and gate. Lattice background on the base.


Koechlin Number: 1245

Koechlin 1924: Eastern or Northern France or Flanders, early 16th century.
Theuerkauff 1986: France (?), possibly 2nd third of the 19th century.
Museum's opinion 2010: France or Netherlands, early 16th century.


Attribution
Unknown

Reverse
Carved in the round.

Comments
This piece is by the same workshop as a similar base in the Metropolitan Museum of Art, New York (55.168). According to Koechlin, the base represents the dream of Hercules, as it was described by Sebastian Brandt in his Ship of Fools.

Provenance
Collection of Albert Figdor, Vienna (at least in 1924; inscription under the base: '825 Figd'): acquired by the Museum in 1935.

Bibliography
M. C. Enlart, 'La Volupté et la Mort: à propos d'une figurine d'ivoire du Musée de Cluny', in Mémoires et Bulletins de la Société Nationale des Antiquaires de France 67 (1907), pp. 115-136 (p. 121).
R. Koechlin, Les Ivoires gothiques français (Paris, 1924), I, p. 456; II, no. 1245; III, pl. CCV.
Images of Love and Death in Renaissance and Late Medieval Art, exhibition catalogue, ed. by W. R. Levin, Ann Arbor, University of Michigan, November 1975-January 1976, p. 114, in relation to no. 76.
C. Theuerkauff, Die Bildwerke der Skulpturengalerie Berlin (Berlin, 1986), II: Die Bildwerke in Elfenbein des 16.-19. Jahrhunderts, no. 116.


Image

Conway Library © Courtauld Institute of Art.

All images on this website are made available exclusively for scholarly and educational purposes and may not be used commercially.

spacer
spacer spacer spacer spacer
Please remember to acknowledge any use of the site in publications and lectures as: 'Gothic Ivories Project at The Courtauld Institute of Art, London, www.gothicivories.courtauld.ac.uk', followed by the date you accessed the site.