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Rosary bead, 2 faces (chapelet) (Front)
Rosary bead, 2 faces (chapelet) French (?); 16th century London, Museum of London, Inv. A1649
Statuette (Front)
Statuette French (Paris); 13th century; 14th century Liège, Le Grand Curtius, GC.REL.02d.1925.34075 (MARAM D 14)
Ring shaped base (possibly knop of a crozier) (Side)
Ring shaped base (possibly knop of a crozier) ; 14th century Aachen, Suermondt-Ludwig-Museum, KK 872
Relief (appliqué) (Back)
Relief (appliqué) English; 14th century Limerick, The Hunt Museum, HCM 085
Statuette (Side)
Statuette French (Paris); 14th century Toronto, The Thomson Collection at the Art Gallery of Ontario (AGO), 68117
Rosary, 13 beads, 2 and 3 faces (chapelet) (Pendant, face 2)
Rosary, 13 beads, 2 and 3 faces (chapelet) North French; South Netherlandish (Flemish); 16th century and 19th century London, Victoria and Albert Museum, 281-1867
Rosary bead, 2 faces (chapelet) (Side 2)
Rosary bead, 2 faces (chapelet) North French or South Netherlandish (Flemish; possibly Bruges); 16th century London, Victoria and Albert Museum, 362-1854
Hair parter (gravoir) (Side)
Hair parter (gravoir) Italian (?); 14th century Berlin, Kunstgewerbemuseum, Inv. 1889,284
Writing tablet, 1 register, 1 arch across (plaquette; tablette à écrire) (Front)
Writing tablet, 1 register, 1 arch across (plaquette; tablette à écrire) French; 14th century Abbeville, Musée Boucher-de-Perthes, Inv. 1891.7.0.3
Saddle (selle); so-called Trivulzio saddle (Detail, right side)
Saddle (selle); so-called Trivulzio saddle German, Italian, Austrian (Tyrol?), Hungarian (Bohemian?); 15th century New York, Metropolitan Museum of Art, 40.66

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