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Type

Place/date

Current location

Polyptych (tabernacle) (Back)
Polyptych (tabernacle) North Netherlandish (Utrecht) or South Netherlandish (Flemish); 15th century Detroit, The Detroit Institute of Arts, 23.149
Comb (peigne double) (Side 1)
Comb (peigne double) French; 15th century-16th century Baltimore, Walters Art Museum, Inv. 71.266
Opening Virgin triptych (Vierge ouvrante; Virxe abrideira; colonnettes); known as the Virgen Abridera de Allariz (Side, closed)
Opening Virgin triptych (Vierge ouvrante; Virxe abrideira; colonnettes); known as the Virgen Abridera de Allariz Spanish (?), French (?); 13th century; 14th century Allariz (Orense), Museo de Arte Sacro del Real Monasterio de Santa Clara, Inv. 1
Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie (Front)
Polyptych with ivory reliefs, 1 and 2 registers (tabernacle; appliqués); also known as Madonna di Monteguaitano and Madonna delle Grazie Italian, French; 14th century Siena, Pinacoteca Nazionale, s/n
Comb (peigne double) (Side 1)
Comb (peigne double) French or South Netherlandish (Flemish) (?); 15th century Berlin, Kunstgewerbemuseum, Inv. F 1625
Back panel (fragment of a casket; coffret) (Front)
Back panel (fragment of a casket; coffret) French; 14th century Unknown location, s/n
Scallop shell (Front)
Scallop shell French or German (Rhenish) (?); 15th century; 16th century Berlin, Kunstgewerbemuseum, Inv. F 2469
Double-sided rounded panel, 1 register (Side 1)
Double-sided rounded panel, 1 register Netherlandish; 16th century Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Inv. 8583
Mirror case (valve de miroir) (Front)
Mirror case (valve de miroir) French; 14th century Baltimore, Walters Art Museum, Inv. 71.168
Relief (fragment of a tabernacle or altarpiece; appliqué) (Front (left))
Relief (fragment of a tabernacle or altarpiece; appliqué) North French; 14th century Toronto, The Thomson Collection at the Art Gallery of Ontario (AGO), 29503

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Please remember to acknowledge any use of the site in publications and lectures as: 'Gothic Ivories Project at The Courtauld Institute of Art, London, www.gothicivories.courtauld.ac.uk', followed by the date you accessed the site.